A reality that we need to face, think about, and talk about.
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
Williams avoids the metatheatrics associated with plays about performance for an inquiry into painful transitions we all must undergo.
Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.
Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a writer but a collaborative, improvisatory…