Sara Outing

Dance in Sketch: KUN-YANG LIN/ DANCERS

The emotional battle to for the strength to re-experience the trauma took perseverance.

SANCTUARY (KUN-YANG LIN/DANCERS): Sanctuary for those who know pain

A reality that we need to face, think about, and talk about.

Two by Tuomanen: MARCUS/EMMA (InterAct) and HELLO! SADNESS (FringeArts)

Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.

BREATHE SMOKE (Orbiter 3): These are times of change

Williams avoids the metatheatrics associated with plays about performance for an inquiry into painful transitions we all must undergo.

HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs

Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.

The Howl of the Under-Represented: Interview with WOLVES director Michael Osinski

Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a writer but a collaborative, improvisatory…

BICYCLE FACE (Hannah Van Sciver): SoLow review

Hannah Van Scriver’s SoLow show looks at the changing face of feminism across the centuries