Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
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Yo Philly, No More Safe Bullshit Excerpted from gchat conversations between Christopher Munden and John Rosenberg. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
Murals, Facades, & Other Lies Everyone knows the murals in Philadelphia suck balls, right? 
real straight up and down motherfucking talented artists i love love love love love love love love love philadelphia. 
