This week marks a landmark in independent theater in Philadelphia: the inaugural production by Orbiter 3, a new producing playwrights collective. Over the next three years, the company will produce six…
Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.
Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.
Two of the best plays in the English language share most of the same characters and much of the same dialog. The Wilma is doing them in successive productions.
SWEAT (PTC): What’s the matter with Reading? Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What ... 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
Renowned Seattle Circus Troupe Comes to FringeArts Virtuosio athletic feats are offset with the fragility of humanity and the inevitable risks of passion and love. 
This Is Not A Theater Review Thoughts on Destiny Estimate, the American Theater Critics Association, and theater criticism. 
IRVING BERLIN’S HOLIDAY INN (Walnut Street Theatre): Longing for a time that never was IRVING BERLIN’S HOLIDAY INN takes us back to a kinder, gentler time when people could burst into song for no reason whatsoever. Support Phindie operations
This US premiere of BLACKOUTS: Twilight of Idols brings together an audience on stage to witness the underbelly of The Crossing The Line Festival. more…
