Romeo Castellucci

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Shakespeare Fringe Roundup: Misadventures among the classics

Toby Zinman gives bullet reviews of nine Shakespeare-ish shows in this year’s Fringe.

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Fringe in Sketch: JULIUS CAESAR. SPARED PARTS

Italian director Romeo Castellucci re-envisions his groundbreaking 1997 production Giulio Cesare as a series of “fragments” rearranged and positioned against each other

Photo by Luca Del Pia.

JULIUS CAESAR. SPARED PARTS (Romeo Castellucci / Socíetas Raffaello Sanzio): 2016 Fringe review 83

We were fortunate. Apparently, the horse does not always shit, but in our case his entrance precipitated a great outpouring of feces.

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Kate Raines in THE BODY LAUTREC © Jacques-Jean Tiziou / www.jjtiziou.net”

Nudity or Crudity: a conversation with Mary Tuomanen about THE BODY LAUTREC

I asked Tuomanen, who directed the piece, to talk about The Body Lautrec. On extremely short notice, she agreed (“Aaron called me, said someone was upset about Lautrec and you wanted to ask me some questions.”) We talk about filth, exploitation, agency, and other uplifting stuff.

An image from Romeo Castellucci's THE FOUR SEASONS RESTAURANT, featuring nudity.

THE FOUR SEASONS RESTAURANT (Societas Raffaello Sanzio): Fringe Review 36.2

Romeo Castellucci has poured his personal inspirations and philosophy into this remarkable abstract production, but ultimately viewers must determine its meaning for themselves. To this viewer, the piece is a resounding “NO.”

An image from Romeo Castellucci's THE FOUR SEASONS RESTAURANT, featuring nudity.

THE FOUR SEASONS RESTAURANT (Societas Raffaello Sanzio): Fringe Review 36

Named after a Mark Rothko painting cycle, Castellucci’s piece is a sort of abstract impressionism on stage

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The International Philly Fringe: A welcome to far-flung artists

Anyone who says that Philadelphia is provincial hasn’t attended the annual Philadelphia Fringe Festival. Here’s the latest sampling of shows, performances, playwrights, and artists from around the world. Phindie writer…

On the Concept of the Face Regarding the Son of God

[45] ON THE CONCEPT OF THE FACE REGARDING THE SON OF GOD (Societas Raffaello Sanzio): Fringe review

Life involves shit and gets messy. Life is anguish and suffering. Life is also care, love, frustration, solace, and release. Life is not easy for the faint-hearted or weak-stomached to get through….

Bill Golderer. Photo by Michael T. Regan

Fringe interview: BSM Pastor Bill Golderer talks about the controversial On the Concept of the Face Regarding the Son of God

The FringeArts-sponsored On the Concept of the Face Regarding the Son of God is one of the most anticipated shows of the 2013 Fringe Festival. Creator Romeo Castellucci is regarded…