Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.
The sterile corporate-speak of modern business pervades Aaron Loeb’s darkly comic contemporary play
A beautiful spectacle, full of humor, sadness, joy and handstands
Four seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics
This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.
PAC’s current production confirms its reputation as the best adaptor of classic works.
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
Tina Brock talks about Idiopathic Ridiculopathy Consortium’s Fringe show Eugene Ionesco’s THE CHAIRS.
Jennifer tells us how and why she staged this haunting tale of one woman’s mental collapse.
Collaborative performer Ben Grinberg sat down with Matt Purinton to talk about the EXPOSURE project and what he hopes to share with audiences.
Something funny across the surface with dark issues riding just under it.
Though Franz Kafka’s work is not categorized as theater of the absurd per se, his writings have been cited as important predecessors of the genre. So it is fitting that…