“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger
One of Germany’s most popular singers launches his North American tour this week.
Retro Style
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THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
IRVING BERLIN’S HOLIDAY INN (Walnut Street Theatre): Longing for a time that never was IRVING BERLIN’S HOLIDAY INN takes us back to a kinder, gentler time when people could burst into song for no reason whatsoever. 
Phindie’s Picks for the 2018 Fringe Festival in Philadelphia Over 25 suggestions for 2018 Philly Fringe shows to help you plan your Festival experience. 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
KILL MOVE PARADISE (Wilma Theater): 2018 Fringe review There's no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder
From the archives…
RE/ACTION (Pennsylvania Ballet): Brilliant ballet by divine dancers
The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community. more…
Read these now…
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LONG TROUBLE (Svaha Theatre Collective): 2018 Fringe review
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Fringe in Sketch: POWERPOINTS FOR MY FRIENDS (Megan Chialastri / PHIT)
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PHAEDRA’S LOVE (Svaha Theatre Collective): 2018 Fringe review
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TRUE WEST (Subscension): 2018 Fringe review
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BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review
