HYPE MAN: A BREAK-BEAT PLAY (InterAct): Compromise and dialog can work
Idris Goodwin’s play shows how compromise and dialog work better than insults and labels
race
PASSING STRANGE (Wilma): Youth and rebellion
Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”
PASSING STRANGE (Wilma): A worthwhile caricature of art
The performers leave a bright impression in a play that’s a caricature of life and art,
UNARMED: Realizing Race and Racism at Fringe Festival 2015
“Before we even get to move, the bodies just existing together in space is getting at American politics”
WICCANS IN THE HOOD / TRADING RACES (Brainspunk): Let’s talk about race, baby
Brainspunk Theater keeps the conversation on race going with a pair of one-acts by Kansas City writer Michelle T. Johnson, WICCANS IN THE HOOD and TRADING RACES: FROM RODNEY KING TO PAULA DEEN.
