An excellent play well done.
Quintessence Theatre Group
E. Ashley Izard tackles one of the most daunting roles in the American canon.
Oscar Wilde once wrote to a friend that his two books of fairy tales were intended “partly for children and partly for those who have kept the childlike faculties of…
You don’t have to be ten years old to thoroughly enjoy this production, you just have to retrace the breadcrumbs and remember how to pretend again.
What could be so funny in a play written nearly 500 years ago? There is something for everyone to either laugh or balk at in this bawdy production of a play by Machiavelli.
In the eyes of director Alexander Burns this doomed romance never stood a chance.
As always with an Alexander Burns production, imagery is rife, props are creative, and jokes come as much from sight gags as from dialogue.
Come One Come All: Gathering of Northwest Philadelphia performing arts companies and artists on April 20
With Chestnut Hill’s Stagecrafters Theater, East Falls’ Old Academy Players, and Mount Airy’s Allens Lane Theater, there’s a surprising number of theaters in Northwest Philadelphia. Two of the newest companies,…
The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.
“I was born into Shakespeare, the American Shakespeare”: Alex Burns on directing MACBETH (Arden), part 1
I will never forget the first time I saw Hamlet. My sister and I were out playing on the street in Mount Airy, Philadelphia.
Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.
Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.
Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.
Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group)
Henrik Eger talks to director Rebecca Wright about her work and influences.
A sensational production of Franz Kafka’s story, utilizing sound, movement, color, and light to transport the audience into the eerie world of salesman-turned-cockroach Gregor Samsa .
Interview with award-winning costume designer and star blogger Katherine Fritz on tackling Kafka’s METAMORPHOSIS