WHITE: James Ijames on PlayPenn and Playwriting
James talked to Phindie about the genesis of WHITE and its development at PlayPenn, a Philadelphia-based organization for the development of new plays.
playwright-centric process
Now trending…
Opera Innovator: An Interview with David Devan ahead of the O17 Festival Opera Philadelphia’s innovative general director previews the upcoming O17 Festival. 
A Woman Who Dares: Interview with KC MacMillan KC MacMillan talks about making the transition from freelance artist to administrative director, what she envisions for the next phase of her career, and what advice she has for young women who aspire... 
EURYDICE (Villanova Theatre): Death is a continuation of life Death, as experienced in director James Ijames’s comic yet movingly evocative production of Sarah Ruhl’s play, is a continuation of life. 
From Mormon Boy to Rent Boy: Interview with solo performer Steven Fales They have a name for former LDS in Utah: Jack Mormons. You can leave the Mormon church, but the Mormon upbringing will never leave you. In his solo work CONFESSIONS OF A MORMON BOY, part of this year'... 
Isabella Rossellini Brings GREEN PORNO to World Cafe Live Inspired by her love of animals and her concerns about unsound environmental practices, Rossellini’s well-researched work is both funny and educational.
From the archives…
THE IMPORTANCE OF BEING EARNEST (Mauckingbird): 60-second review
Gender roles play an essential part in much classic literature. How many complex pre-1900 plots would be instantly resolved if a woman could just marry whomever she chose and live the life she wanted? Oscar Wilde’s enduring comedy THE IMPORTANCE OF BEING EARNEST is an example.
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