Philadelphia

Frederick Delius

The German Society of Pennsylvania presents their final Delius Society Concert

The Wister Quartet and Choral Arts Philadelphia gave their audience a rare chance to hear the Delius Songs of Sunset.

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Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)

The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”

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PASSING STRANGE (Wilma): Youth and rebellion

Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”

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LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow

COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.

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COPENHAGEN (Lantern): Observable quantities

I suspect that among the reasons COPENHAGEN has been so successful is that it invites us to believe that we are smarter than we actually are

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PASSING STRANGE (Wilma): A worthwhile caricature of art

The performers leave a bright impression in a play that’s a caricature of life and art,

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Theater in Sketch: MORNING’S AT SEVEN (People’s Light)

Paul Osborne’s 1939 comedy gets a new production in Malvern, PA.

Scott Greer in Every Brilliant Thing, Photo by Ashley Smith LaBonde

EVERY BRILLIANT THING (Arden): Scott Greer in an entertaining, painful, life-enhancing play

To balance the traumas of life—from a difficult childhood through a challenging adulthood—a man writes down every brilliant thing, every wish he can think of.

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THE CRAFTSMAN (Lantern): Crafting a good story

Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story.

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Right Hand Woman: An interview with Emily Zeck, PTC’s managing director

Emily Zeck brings a wealth of experience to her new role as Philadelphia Theatre Company’s managing director.

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TOUCHTONES (Arden): This must be a bad connection

Naughty and nice collide in TOUCHTONES, a musical fantasy in world premiere at the Arden.

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TOUCHTONES (Arden): 60-second review

This treacly throwback neither titillates nor liberates.

E. Ashley Izard as Mary Tyrone in the Quintessence Theatre production.

The Mother of All Roles: E. Ashley Izard plays Mary Tyrone in LONG DAY’S JOURNEY INTO NIGHT

E. Ashley Izard tackles one of the most daunting roles in the American canon.

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM-Walnut Street Theatre-review

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut): A funny thing is happening now at the Walnut

Sondheim’s classic musical in a new production is directed by Frank Ferrante.

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Fringe in Sketch: HOME (Geoff Sobelle)

Our personal space is our own

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BIND (Corinna Burns): 2017 Fringe review

An ambitious, unfinished work by one of Philadelphia’s best.

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LABOR OF LOVE (The Waitstaff): 2017 Fringe review

Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.

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Fringe in Sketch: MARX IN SOHO (Iron Age)

MARX IN SOLO by Howard Zinn is directed by John Doyle for Iron Age Theatre.

Photo by Mark Garvin.

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut Street Theatre): 60-second review

The promise of “something for everyone” is both too little and too much.

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