Philadelphia Orchestra principal bassoonist Daniel Matsukawa was featured in a chamber music program presented by the Philadelphia Chamber Music Society and the Musical Fund Society of Philadelphia
Philadelphia Chamber Music Society imported a deep bench of talent from New York for its final Sunday afternoon recital of the season.
Pianist Inon Barnatan stepped in for an ailing colleague, offering an exquisite and inventive recital that explored musical variations.
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THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentl... 
SOLOW FLASH INTERVIEWS 2014, EPISODE ONE: COREY BECHELLI, DAVID LAWSON, and ELLIE BROWN While excitement mounts for SoLow Fest’s wooden anniversary, our artists are all at different stages of production. Some are re-memorizing o... 
2018 Theater Preview: FringeArts The company that brings us the Philadelphia Fringe Festival keeps the Fringe coming all year long with presentations by inventive local and ... 
NOISES OFF (Walnut St): Hi-jinks prevail The chestnut sails in Frank Anzalone’s production of NOISES OFF at the Walnut Street Theatre, but not consistently. 
THE CHILDREN OF EDGAR AND NINA (Jarrett McCreary and Bridget Reynolds) 2016 Fringe review 34 To move towards one another through the “sadness and pain of blues and seas.” 
In the Middle Ages, the Church endorsed theatrical depictions of Church teachings to educate a mostly illiterate public. EVERYMAN is only one of five from its time that has survived to today. Villanova Theatr commissioned Mark J. Costello to translate the play from Middle English using modern language and the authenticity of rebelliousness in the punk subculture more…
