PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.
Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.
Nine point five hours, five pieces of theater, ten bicyclists, and no great plan on how we’re gonna eat: that was the format for day two of PHINDIE’S OFFICIAL FRINGE BIKE TOUR.
In SPLICE, a single flat wave of board whoops its way through the Leonard Pearlstein Gallery, which consists of about four rooms, vaguely defined by false walls.
Remix Festival, hosted at
The performance spaces which have made Kensington their home (Walking Fish Theatre, Hella Fresh, Mascher Space, and fidgetspace) are remote, both financially and physically, from the city, yet still close enough to converse artistically with downtown venues and even to attract funding.
OPERATIC OR NOT, a review of THINGNY IS BACK, the third night of fidget’s 4th Annual Fall Experimental Music Festival
Adam Vidiksis’s legs are completely still like a concert violinist’s. He barely bends except to lean over the snare as he burrows the tip of a single drumstick into it. Using…