Peter DeLaurier

moon-over-buffalo-review

MOON OVER BUFFALO (People’s Light): A few doors short of a farce

Why did People’s Light exhume this largely forgotten play from its well-deserved obscurity?

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How should Philadelphia Theatre Company rebrand itself?

Cameron Kelsall has some ideas for the new executive director.

Kittson O'Neil in OR.

Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016

Neal Zoren chose his favorite productions, directors, and actors from the last year.

Peter DeLaurier in AN ILIAD at Lantern Theater Company. Photo by Mark Garvin.

AN ILIAD (Lantern): Homer sweet homer

AN ILIAD brings Homer’s characters and their epic struggle to life using just a sole narrator and musical accompaniment.

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36 VIEWS (Lantern): Using artifice to reveal truths

Visually beautiful and compelling in its coherence, 36 VIEWS weaves these intellectual concepts on the uncertainty of art and life with a wholly original style.

Mary McDonnell and Olivia Mell in THE CHERRY ORCHARD at People’s Light (Photo credit: Mark Garvin)

THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of Chekhov

Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at People’s Light & Theatre Company…

Clare Mahoney and Peter DeLaurier in Lantern Theater Company's QED (Photo credit: Mark Garvin).

QED (Lantern) No doctorate in theoretical physics is required to enjoy this production

But you don’t have to be an egghead to enjoy this play. It’s a great show for non-physicists, a category that includes a whole lot of us.

Peter DeLaurier (with Clare Mahoney in the background) in Lantern Theater Company's QED (Photo credit: Mark Garvin).

QED (Lantern): A glowing tribute to a brilliant man

Peter DeLaurier reprises his role as physicist Richard Feynman in Lantern Theater Company’s remount of its 2006 hit.

Lantern Theater Company The Train Driver review

THE TRAIN DRIVER (Lantern): A haunting look across the tracks

There’s something haunting Roelf (Peter DeLaurier) in the Lantern Theater Company’s atmospheric production of Athol Fugard’s THE TRAIN DRIVER. Disturbed by the memory of a young woman and baby “pulverized”…

Lantern Theater Company's production of Jane Austen's EMMA review

EMMA (Lantern): Philly falls for Austenmania

Over the past few years, there’s been a surprising and unlikely spark of interest in Jane Austen. Austen’s novels—Pride & Prejudice, Sense & Sensibility, Persuasion, et al—have been required reading for over…

photo by Mark Garvin

HEROES (Lantern): Quieter guns of August

It’s 1959. Two veterans of the Great War sit in silence. HENRI: I love the month of August GUSTAVE: I knew it couldn’t last, the world was at peace, and…

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Sisyphus Sings in Silent Joy: Lantern Theater Company’s THE ISLAND

In his essay The Myth of Sisyphus Albert Camus compares man’s existence to the figure from Greek mythology, condemned for eternity to push a rock up a mountain, only to have it…