People’s Light & Theatre Company

Philadelphia theater through the eyes of J. Cooper Robb, Part 2: 2004

Revisiting Philly theater history through the eyes of one of its finest critics.

Philadelphia Theater through the eyes of J. Cooper Robb, Part 1: 2002–2003

Remembering Philadelphia theater history through the eyes of a venerable theater reviewer.

THE DIARY OF ANNE FRANK (People’s Light): An intense retelling of a familiar story

David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.

PROJECT DAWN (People’s Light): The hug or the hammer

A well-intentioned but dull play about an important legal program in Philadelphia.

Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016

Neal Zoren chose his favorite productions, directors, and actors from the last year.

RICHARD III (People’s Light): Smile heaven upon this fair conjunction

A dichotomy of delight and disgust makes this production such a treat—a feast with many courses, each richly flavored and deeply textured.

SENSE AND SENSIBILITY (People’s Light): An epic production of an Austen classic

A brilliant new stage adaptation of Jane Austen’s romantic comedy of manners captures the satiric wit and sociological insight of the 19th-century classic.

THE THREE MUSKETEERS (THE LATER YEARS): A MUSICAL PANTO (People’s Light): The triumphant return of a holiday favorite

The annual panto returns with a wacky take on Alexandre Dumas’ beloved adventure story of 17th-century France.

AUCTIONING THE AINSLEYS (People’s Light): Familial dysfunction, memory, and the significance of objects

Laura Schellhardt’s foray into the Pop psychology of familial dysfunction and the significance of personal possessions is given its regional premiere.

From the UK to Philadelphia to Broadway: An interview with actor Harry Smith

British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.

ALL MY SONS (People’s Light): A treat from the golden age of American theater

Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.

Ben Dibble, winner of "Best Actor" for his role in Herringbone at Flashpoint Theatre.

Picks for Best in Theater, 2014/15, by Philly Reviewer Neal Zoren

Each year, Philadelphia-based reviewer Neal Zoren announces his choices for the Helen and Morris Zoren Awards for World Theater. A fair number of the picks on Neal’s list are performers and productions from the Philadelphia area.

BILOXI BLUES (People’s Light): Coming of age in WWII

Though entertaining as a comedy, BILOXI BLUES contains an important message about fighting “the good war” abroad, while many struggles against injustice remain on the home front.

Visible Fictions’ Tim Settle and Simon Donaldson perform JASON AND THE ARGONAUTS at People’s Light (Photo credit: Mark Garvin)

JASON AND THE ARGONAUTS (People’s Light): A playful retelling for all ages

Scotland’s Visible Fictions brings a child-friendly version of the Greek myth of JASON AND THE ARGONAUTS, adapted by Robert Forrest, to People’s Light & Theatre Company

Mary McDonnell and Olivia Mell in THE CHERRY ORCHARD at People’s Light (Photo credit: Mark Garvin)

THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of Chekhov

Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at People’s Light & Theatre Company…

Christopher Patrick Mullen as Merlyn and Susan McKey as Archimedes in ARTHUR AND THE TALE OF THE RED DRAGON at People’s Light (Photo caption: Mark Garvin)

ARTHUR AND THE TALE OF THE RED DRAGON: A MUSICAL PANTO (People’s Light): Coming of age in the Middle Ages

The family friendly holiday panto takes a wacky look at the growing pains of the future King Arthur as he faces the challenges of life, learning, and leadership.

William Zielinski and Kevin Bergen in ROW AFTER ROW at People’s Light (Photo credit: Mark Garvin)

ROW AFTER ROW (People’s Light): Finding the courage to fight and to heal

Local-born playwright Jessica Dickey considers the humor and heartache of mustering the courage to fight in an insightful comedy about three Civil War re-enactors.

Michael Genet and Ruffin Prentiss in FENCES at People’s Light & Theatre Company (Photo credit: Mark Garvin)

FENCES (People’s Light): On broken dreams and the hope for change

The 2nd production by People’s Light from Wilson’s “Century Cycle”, FENCES is an engaging and profound examination of very human characters dealing with very challenging circumstances,

Danny Gardner as Johann Martin Steindorff in BACH AT LEIPZIG at People’s Light (Photo credit: Mark Garvin)

BACH AT LEIPZIG (People’s Light): 60-second review

People’s Light & Theatre Company pairs Itamar Moses’s uber-witty historical farce BACH AT LEIPZIG with the zaniness of director Pete Pryor in a hilarious, intelligent production.

David M. Lutken stars as Woody Guthrie in WOODY SEZ at People’s Light & Theatre Company (Photo credit: Mark Garvin)

WOODY SEZ (People’s Light & Theatre Company): A Down-Home Musical Revue on the Life of Woody Guthrie

A touring revue on American singer/songwriter Woody Guthrie (1912-67), WOODY SEZ—on the road for seven years and now on stage at People’s Light & Theatre Company in Malvern—is an eminently likeable concert biography for fans of the respected folk musician and activist for the disenfranchised. Featuring 27 of Guthrie’s most famous songs (including his populist American anthem “This Land Is Your Land”) interspersed with snippets of his life story and folk wisdom, the show traces the highlights and low points of his times, [. . .]