A dancer for Trisha Brown Company details the experience of setting Brown’s work on the Pennsylvania Ballet dancers.
MANNA (Metropolitan Area Neighborhood Nutrition Alliance), together with Pennsylvania Ballet brought a hot dance night to the Forrest Theater on an unusually freezing April night.
Based on the beloved novel, Don Quixote de la Mancha by Miguel de Cervantes, DON QUIXOTE has been one of the most popular and challenging ballets for over a century.
“There was really only one option,” laughs the Spaniard. “It could only be Don Quixote.”
The selections show artistic director Angel Corella’s close attention to the dancers’ talents and characters and his passion to bring out the best in them.
A holiday tradition for many Philadelphians, the Pennsylvania Ballet’s NUTCRACKER returns for another season.
In his second season as the artistic director of the Pennsylvania Ballet, Angel Corella is hand-picking the entire program for the first time.
As Angel Corella’s first season with Pennsylvania Ballet draws to a close, it’s safe to say that his tenure as the company’s artistic director is off to a very impressive start.
Most balletomanes credit Balanchine with capturing the American spirit in ballet, but to me it’s Jerome Robbins who deserves the accolades.
New artistic director Angel Corella was able to take full advantage of works by George Balanchine, Christopher Wheeldon and a premiere from resident choreographer Matthew Neenan, to start to show his retooling of the company.
WHAT I LEARNED ABOUT OUTER SPACE (Pennsylvania Ballet, Curtis Institute of Music, FringeArts): Fringe Review 14
If dance is a language, it is spoken in a variety of accents. With WHAT I LEARNED ABOUT OUTER SPACE, FringeArts commissioning three contemporary choreographers—Zoe Scofield, Georg Reischl, and Itamar Serussi—to create pieces on PA Ballet dancers.
Dance writer Lew Whittington gives 10 “moving” picks for the 2014 Fringe Festival
Pennsylvania Ballet is finishing their 50th Anniversary Season with victory lap programming, but it has played out as more than just a milestone date, but a distinct turning point for the company‘s future.
Roy Kaiser’s ‘Director’s Choice program proved to be one of the most artistically rich mixed bills PB has done and during their 50th anniversary season. , It featured the arrestingly intimate pas de deux between retiring dancer Julie Diana and real-life husband Zachary Hench.
Shut Up & Dance 2014 benefit for MANNA proved one for the books. Every year the performance is typically wonderful for a number of reasons, primary among them its great sense of Philly community spirit in support of MANNA and not the least of which is the esprit of the participating dancers. Some years are standouts artistically and this was just one of those years.
Care to Dance? The Philadelphia dance scene is alive and well in 2014, catering to classical palates and avant-garde tastes alike
The Philadelphia dance scene is alive and well in 2014, bringing forth a series of diverse performances catering to classical palates and avant-garde tastes alike
Pennsylvania Ballet is only one of just a few companies licensed to do Balanchine’s 1954 classic ballet.