The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.
ROMANCE showcases the diversity and beauty of the Pennsylvania Ballet’s dancers.
Art is a way to express the truth. The truth of our emotions. The truth of our lives. The truth of ourselves.
Pennsylvania Ballet’s LE CORSAIRE is as gorgeous and breath-taking as it should be.
Not only successful as a forum to provide opportunities and experiences to young choreographers and dancers, the Choreographic Workshop was also very well done as a performance.
Some of the talented choreographers took a moment to talk to Phindie about their choreographies and their thoughts.
My choreography is inspired by Shel Silverstein’s poetry and its style is musical
Pennsylvania Ballet II is performing four new dance works created on the dancers of the company by four talented choreographers with deep connection to Philadelphia ballet scene.
Lily Kind uses a recent PA Ballet program to look at what makes a ballet a ballet and what makes a dance a dance.
It uses the same stage, the same music, and the same settings as previous years, but this year’s NUTCRACKER is even more convincing and more magical than before.
Dance is an ever-changing artform: the standard themes change, technique changes,audiences change. Even such key aspects and tools as the body shape of the dancers change.
The ballet shows the brave and caring intention of artistic director Angel Corella to the company and the Philadelphia ballet fans.
The Trenton-based dance company DanceSpora premiered two works at the Fringe Festival.
REV invited us to chase characters through the Forest of Arden against a backdrop of South Philadelphia’s urban skyline.
For the last program of Pennsylvania Ballet’s 2015-2016 season, Angel Corella challenges both the dancers and the audience with the four experimental dances
It would not be too much to say that this has been one of the most exciting and accomplished seasons in Pennsylvania Ballet’s history.
A dancer for Trisha Brown Company details the experience of setting Brown’s work on the Pennsylvania Ballet dancers.
MANNA (Metropolitan Area Neighborhood Nutrition Alliance), together with Pennsylvania Ballet brought a hot dance night to the Forrest Theater on an unusually freezing April night.
Based on the beloved novel, Don Quixote de la Mancha by Miguel de Cervantes, DON QUIXOTE has been one of the most popular and challenging ballets for over a century.
“There was really only one option,” laughs the Spaniard. “It could only be Don Quixote.”
A BILLION NIGHTS ON EARTH (Thaddeus Phillips and Steven Dufala): 2017 Fringe review It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet. 
WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review Relevant themes and ideas rarely seen on an opera stage 
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review On the Rocks proves you can dismantle the master’s house with his tools. 
TOWN (Jolie Darrow & Jack O’Keeffe/PHIT Comedy): 2017 Fringe review TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake. 
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut Street Theatre): 60-second review The promise of “something for everyone” is both too little and too much. 
The wacky parents of THE ADDAMS FAMILY at the Media Theatre share the joys and difficulties of juggling two lead roles in their lives.
