The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
The new series kicks off with shorts from Sam Tower/ Plant Me Here, The Naked Stark, John Rosenberg/ Hella Fresh, and Josh McIlvain/ SmokeyScout.
All songs and no dialogue is the format Richard Maltby, Jr. (lyrics) and David Shire (score) employ for their popular two-act musical revue now enjoying a top-notch staging by Mazeppa Productions.
In GOD OF CARNAGE, French playwright Yasmina Reza’s 90-minute award-winning black comedy, it doesn’t take long to demonstrate the old adage that the apple doesn’t fall far from the tree,…
The one-act musical adaptation of Joyce’s short story is presented as a memory play, told through narration and re-enactments.
Director Tina Brock brings spot-on casting, lightning-quick pacing, and non-stop hysteria (of both the panicked and hilarious varieties) to Idiopathic Ridiculopathy Consortium’s FringeArts production of Eugène Ionesco’s RHINOCEROS. The devastating consequences of mindless conformity, social apathy, and turning a blind eye to a growing threat are the important themes of the darkly comic Theater of the Absurd masterpiece.
Theater writer Jessica Foley is seeing 20 Fringe plays in 20 days. Why is she starting with Ionesco’s Rhinoceros?