HYPE MAN: A BREAK-BEAT PLAY (InterAct): Compromise and dialog can work
Idris Goodwin’s play shows how compromise and dialog work better than insults and labels
Ozzie Jones
The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?
Is the Christmas period still a financial savior for their theaters and choruses.
BLACK NATIVITY (Theatre Horizon): A celebration of human spirit
Ozzie Jones’s production of this updated Langston Hughes play dazzles in just about every way a theater piece can.
An ALL-Black OTHELLO: Director Ozzie Jones talks about his “gloriously liberating” casting for Theatre in the X, part 2
In part two of our interview with Ozzie Jones, the director talks about his decision to cast an ALL-black OTHELLO.
Bringing OTHELLO to the Hood: Interview with director Ozzie Jones, part 1
Henrik Eger speaks to director Ozzie Jones about Theatre in the X and presenting Shakespeare in an area some call “the hood”.
DEATH OF A SALESMAN (GoKash): What happens to a dream deferred
“There is no future for a people who deny their past. My Foreparents, My Grandparents, My Mother, My Father did not suffer and die to give me an education to…
Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia
The issue of diversity in theater (and in theater reviewing) is an ongoing subject of conversation. Kash Goins isn’t just talking about it. His GoKash Productions has produced a series…
