Idris Goodwin’s play shows how compromise and dialog work better than insults and labelsView More HYPE MAN: A BREAK-BEAT PLAY (InterAct): Compromise and dialog can work
Is the Christmas period still a financial savior for their theaters and choruses.View More The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?
Ozzie Jones’s production of this updated Langston Hughes play dazzles in just about every way a theater piece can.View More BLACK NATIVITY (Theatre Horizon): A celebration of human spirit
In part two of our interview with Ozzie Jones, the director talks about his decision to cast an ALL-black OTHELLO.View More An ALL-Black OTHELLO: Director Ozzie Jones talks about his “gloriously liberating” casting for Theatre in the X, part 2
Henrik Eger speaks to director Ozzie Jones about Theatre in the X and presenting Shakespeare in an area some call “the hood”.View More Bringing OTHELLO to the Hood: Interview with director Ozzie Jones, part 1
“There is no future for a people who deny their past. My Foreparents, My Grandparents, My Mother, My Father did not suffer and die to…View More DEATH OF A SALESMAN (GoKash): What happens to a dream deferred
The issue of diversity in theater (and in theater reviewing) is an ongoing subject of conversation. Kash Goins isn’t just talking about it. His GoKash…View More Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia