opera

Un_Sung (Lauren Whitehead, center) surrounded by ghosts in We shall not be moved.(from left, Tendayi Kuumba, Caci Cole Pritchett, Michael Bishop and Duane Lee Holland, Jr.).Photo by Dave DiRentis

After the O17: A reflection on Opera Philadelphia’s brave endeavor

This bountiful menu of music had something for every taste

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Your guide to Opera Philadelphia’s O17 Festival

Here’s everything you need to know about the musical smorgasbord that awaits.

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Opera Innovator: An Interview with David Devan ahead of the O17 Festival

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

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Soloists of the Metropolitan Opera (Philadelphia Chamber Music Society): The cream of the crop

Philadelphia Chamber Music Society imported a deep bench of talent from New York for its final Sunday afternoon recital of the season.

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LA RONDINE (Curtis Opera Theatre): Puccini’s elusive swallows flies to Philly

Curtis Opera Theatre fails to make the case for LA RONDINE as a neglected classic.

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Opera in Sketch: BREAKING THE WAVES

This opera was really something else. An adaptation by Mizzy Mazzolli (music) and Royce Vavrek (libretto) of a movie by Lars von Trier.

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OSCAR (Opera Philadelphia): High notes and low in the life of Oscar Wilde

We see the tragedy of Oscar Wilde’s life played out creatively and movingly in OSCAR, a thoughtfully crafted opera by Theodore Morrison and John Cox,

SEPHRO: EARTH’S REVENGE (Fantasy Weavers): Fringe Review 23

Imagine if Frank Herbert’s “Dune” had been adapted not by David Lynch but instead by the Mummers. That’s not too far off from what we get with SEPHRO: EARTH’S REVENGE.