Is the Christmas period still a financial savior for their theaters and choruses.
Stepping back to a Victorian workhouse with Quintessence Theatre Group.
Talking to the playwright for GayFest! 2016′s Mainstage production.
“Don’t ask me what happened. It’s best not to know!”: A DYBBUK, or Between two worlds Review of A DYBBUCK from EgoPo Classic Theatre 
Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT Quintessence Theatre's production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experienc... 
Letter from Edinburgh: A dilettante at large reviews Toby Zinman reviews shows from the 2019 Edinburgh Fringe 
Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group) Henrik Eger talks to director Rebecca Wright about her work and influences. ![[63] GLOW (Kaleid Theatre): Fringe review](http://phindie.com/wp-content/uploads/wordpress-popular-posts/1841-240x190.jpg "[63] GLOW (Kaleid Theatre): Fringe review")
[63] GLOW (Kaleid Theatre): Fringe review Though we’re all connected 24/7 via cell phones, Facebook, email, texting, and blogging, there is a human disconnect in our current state ... Support Phindie operations
The founder of SoLow Fest talks about his latest work, HOPELESSNESS, performed one night only October 8. more…
