When you think Philadelphia theater, you think Bruce Graham. He shares his thoughts about his latest play, the state of theater in Philadelphia, and the art of writing plays.
On May 6 this reviewer took in the second of three play readings in Theatre Exile’s New Play Development Series. On tap was FLESH, celebrated local playwright Michael Hollinger’s work-in-progress….
A few years ago I was at that good used bookstore on 20th Street by the Free Library and saw a crowd gathering on the Parkway: Bruce Springsteen was about…
For the second of Phindie’s Philadelphia Independent Theater podcasts, hosts Christopher Munden and John Rosenberg talk to talented and versatile local actor Brian McCann. We talk about improv, director Matt…
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SHE STOOPS TO CONQUER (Quintessence): A contemporary 18th-century comedy SHE STOOPS is an 18th-century comedy of manners and mistaken identities by Oliver Goldsmith. It is considered by many to be the most end... 
Get Berserk this Halloween: The Berserker Residents return with THE JERSEY DEVIL The Berserker Residents—that ludicrous ... 
CAMELOT (Act II Playhouse): 60-second review CAMELOT is the example of a group of talent working together to create an amazing experience for the audience. 
Theater in Sketch: MARIA MARTEN, or The Murder in the Red Barn (PAC) Maria Marten or The Murder in the Red Barn by the Philadelphia Artist Collective found the silly in the serious 
The Lonely Heart of Darkness: Chris Davis on his ONE-MAN APOCALYPSE NOW Chris compares the Edinburgh and Philly Fringe festivals and shares his thoughts on waking up to the scent of Napalm. 
The audience gather together on two adjacent hill sides and in the middle is a stretch of grass, more…
