While its opening moments certainly intrigue and amuse, MOTH loses steam as it chugs along.
Under Aaron Cromie’s creative direction, Philadelphia Shakespeare Theatre’s production of LOVE’S LABOUR’S LOST captures the playfulness of the Bard’s early comedy in a fluid romp.
THE LION KING (dir. Jon Favreau): Beautiful and utterly pointless A film review of the CGI live action remake 
SUMMER SERIES 2019 (BalletX): BalletX brings The Little Prince to life This contemporary ballet of a classic children’s book is immediately understandable for children, but also poignant and thought-provoking fo... 
Theater in Sketch: JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Val Dunn & Jenna Kuerzi) I was looking forward to catching Val Dunn a... 
Presenting stronger new dramas by overcoming “premieritis” The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres” 
Full Cirque: Alix Croop returns to her hometown with AMALUNA Allentown native, Alix Croop, couldn’t imagine how her talents would translate to what she had seen in Cirque du Soleil’s Alegria... Support Phindie operations
While Nilo Cruz broaches some interesting subjects and often provides his characters with profound things to say, his world premiere play never takes off dramatically. more…
