While its opening moments certainly intrigue and amuse, MOTH loses steam as it chugs along.
Under Aaron Cromie’s creative direction, Philadelphia Shakespeare Theatre’s production of LOVE’S LABOUR’S LOST captures the playfulness of the Bard’s early comedy in a fluid romp.
Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia The issue of diversity in theater (and in the... 
Wonderetter: Rebecca Robbins on the Walnut’s holiday show Interview with the star of Winter Wondrettes at Walnut Street Theatre. 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises. 
DIAMANTINO (dir. Gabriel Abrantes & Daniel Schmidt): Philadelphia Film Festival review From Portugal comes what is easily the funniest film of 2018 Support Phindie operations
A visit with the eccentric Sycamore family is always a warm adventure in zaniness more…
