Nazli Sarpkaya

Presenting stronger new dramas by overcoming “premieritis”

The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres”

Daniel Barland in BROKEN STONES at InterAct Theatre. Photo by Kathryn Raines

BROKEN STONES (InterAct): Searching through the meta rubble

What better theatrical vehicle for cynicism than “meta”: how many ways can the playwright fool an audience?