CABARET (Arden): Glücklich zu sehen?
CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.
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THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
The two most-produced plays in America come to Philadelphia A Doll's House Part 2 and Sweat top the 10 most-produced plays of 2018/19 
LONG TROUBLE (Svaha Theatre Collective): 2018 Fringe review There’s a lovely simplicity in Elise D’Avella’s staging of the tragic story. 
TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
UNHINGED (Matter Movement Group): 2018 Fringe review Gather yourself for an illuminating walk along a dim, roughly hewn ...
From the archives…
AVAILABLE LIGHT (Lucinda Childs Dance Company): 2015 Fringe Review 31
Three progenitors of 20th-century Minimalism—Lucinda Childs, John Adams, and Frank Gehry–teamed up to create a stunning program of dance, sound, and space.
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