Nate Golden

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A CLOSER WALK WITH PATSY CLINE (BRT): Fall to pieces over Patsy

Someone should sit down and write a dozen Country tunes for Jessica Wagner to record in the style of Patsy Cline.

Donna Snow, Nate Golden (1)

THE SISTERHOOD (Mauckingbird): Queering Moliere

It doesn’t take a Moliere scholar to enjoy these zany characters, brilliantly brought to life by the ensemble.

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THE SISTERHOOD (MAUCKINGBIRD): A delightful hi-brow comedy skewers hi-brow pretensions

While some plays are heavy three course meals, THE SISTERHOOD is definitely dessert.

Photo credit: Jenna P. Photography

JINGLE BELLES: SNOWED IN (Nightcap Cabaret): A fast and funny dose of musical Christmas cheer

An original fast and funny holiday cabaret will teach you the true meaning of Christmas and leave you wishing that you were snowed in with this talented team of creators/performers!

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HEATHERS: THE MUSICAL (Vulcan Lyric): A cult classic whose time may have passed

A revitalized opera company offering musical performances in Philly in the summer is a good thing. But maybe some things just aren’t funny anymore, like teen suicide, gay jokes, and trying to blow up a school.

Clio (Erica Nicole Rothman, center) with her sister Muses in Mazeppa Productions’ XANADU (Photo credit: Kelly Anne Pipe Photography)

XANADU (Mazeppa Productions): A campy, aMUSEing musical

Zeus has decreed that Muses from Mount Olympus are not allowed to fall in love with mortals – that includes the Muse Clio and a boy from Venice Beach. Therein lies a story of forbidden love, gumption, and sly swipes at certain Hollywood movies — especially XANADU (Universal Pictures, 1980).

Clio (Erica Nicole Rothman, center) with her sister Muses in Mazeppa Productions’ XANADU (Photo credit: Kelly Anne Pipe Photography)

XANADU (Mazeppa Productions): A Flop of a Film, but a Smash of a Show!

Greek mythology meets roller-disco in XANADU, a spirited send-up of American pop culture circa 1980, based on the preposterous movie of the same name starring Olivia Newton-John. Mazeppa’s exuberant production of the award-winning musical-comedy (book by Douglas Carter Beane, music and lyrics by Jeff Lynne and John Farrar) delivers an uproarious parody of both disco culture and the cult-classic film.