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Daniel Barland in BROKEN STONES at InterAct Theatre. Photo by Kathryn Raines

BROKEN STONES (InterAct): Searching through the meta rubble

What better theatrical vehicle for cynicism than “meta”: how many ways can the playwright fool an audience?

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Theater in Sketch: CORIOLANUS (Shakespeare in Clark Park)

The audience gather together on two adjacent hill sides and in the middle is a stretch of grass,

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SWALLOW (Inis Nua): This Scottish play is a spot on reflection of America right now

A visceral, exquisitely written, three-person anxiety attack

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Theater in Sketch: ANNA (EgoPo)

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.

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SHITHEADS (Azuka): Nice ride

Azuka’s terrific production of SHITHEADS, a new play by Douglas Williams, details the New York bicycle subculture.

Peter DeLaurier in AN ILIAD at Lantern Theater Company. Photo by Mark Garvin.

AN ILIAD (Lantern): Homer sweet homer

AN ILIAD brings Homer’s characters and their epic struggle to life using just a sole narrator and musical accompaniment.

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KING JOHN (Revolution Shakespeare): 2016 Fringe review 88

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

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