Natalia de la Torre
What better theatrical vehicle for cynicism than “meta”: how many ways can the playwright fool an audience?
The audience gather together on two adjacent hill sides and in the middle is a stretch of grass,
A visceral, exquisitely written, three-person anxiety attack
You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.
The International Philly Fringe: A welcome to 28 countries