Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”

The performers leave a bright impression in a play that’s a caricature of life and art,

Naughty and nice collide in TOUCHTONES, a musical fantasy in world premiere at the Arden.

This treacly throwback neither titillates nor liberates.

Sondheim’s classic musical in a new production is directed by Frank Ferrante.

CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.

The promise of “something for everyone” is both too little and too much.

New Freedom Theatre honors Emanuel Nine in new musical by creating a gospel celebration that honors their lives

There was a perfection to the timing of FUN HOME’s arrival in Philadelphia: Another take on FUN HOME

SIDE SHOW is a tricky piece, but there was much to savor at Media Theatre’s production

Ho boy, it’s been quite the election cycle. Thankfully, Philadelphia has 1812 Productions to ease the pain with its annual satirical show.

Feeling altogether out-of-the-loop with regards to this mysterious sleeper gem and Avenue Theater Company I caught up with choreographer and assistant director Chloe Sierka

Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.

Ted Swindley’s blend of a heartwarming bonding of two good ole’ gals and more than two dozen songs associated with singer Patsy Cline.

Republished by kind permission from Neals Paper. Kurt Weill’s insistent tingel-tangel score for THE THREEPENNY OPERA pervades the Vasey Hall stage, with horns and drum pumping to a martial beat that…

The young talent the school is grooming stands out in the Temple Theater production of Stephen Sondheim and George Furth’s MERRILY WE ROLL ALONG.

Cline is a natural subject for the theater. Although the sad facts of Patsy’s marriage and difficult personal life are alluded to, ALWAYS… PATSY CLINE is more about a relationship a star was able to form with a fan than a full biography of the singer.

In doing MARY POPPINS, a director has to decide between approaches: light and fantastical like the movie or darker like the book.

THE ADDAMS FAMILY is such a familiar piece, and beloved by many for various reasons

Sharp performances keep 9 TO 5 so consistently entertaining it masks a contrived plot and mediocre music and lyrics.