The promise of “something for everyone” is both too little and too much.
New Freedom Theatre honors Emanuel Nine in new musical by creating a gospel celebration that honors their lives
There was a perfection to the timing of FUN HOME’s arrival in Philadelphia: Another take on FUN HOME
SIDE SHOW is a tricky piece, but there was much to savor at Media Theatre’s production
Ho boy, it’s been quite the election cycle. Thankfully, Philadelphia has 1812 Productions to ease the pain with its annual satirical show.
Ted Swindley’s blend of a heartwarming bonding of two good ole’ gals and more than two dozen songs associated with singer Patsy Cline.
Republished by kind permission from Neals Paper. Kurt Weill’s insistent tingel-tangel score for THE THREEPENNY OPERA pervades the Vasey Hall stage, with horns and drum pumping to a martial beat that…
The young talent the school is grooming stands out in the Temple Theater production of Stephen Sondheim and George Furth’s MERRILY WE ROLL ALONG.
Cline is a natural subject for the theater. Although the sad facts of Patsy’s marriage and difficult personal life are alluded to, ALWAYS… PATSY CLINE is more about a relationship a star was able to form with a fan than a full biography of the singer.
In doing MARY POPPINS, a director has to decide between approaches: light and fantastical like the movie or darker like the book.
THE ADDAMS FAMILY is such a familiar piece, and beloved by many for various reasons
Sharp performances keep 9 TO 5 so consistently entertaining it masks a contrived plot and mediocre music and lyrics.
Van.Martin Productions lampoons the Sophocles classic with their silly OEDIPUS THE MUSICAL, which ties together Greek tragedy, #YOLO, and herpes into one madcap package.
Eric Rockwell and Joanne Bogart raise the stakes with their devilishly clever and cheekily smart send-up of prolific songsmiths Sondheim, Jerry Herman, Andrew Lloyd Webber, Richard Rodgers, Oscar Hammerstein II, John Kander, and Fred Ebb, THE MUSICAL OF MUSICALS.