Michael Lambui

HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs

Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.

IN THE CLEARING (Birds on a Wire): 2016 Fringe review 10

An all girls dance group presents a mysterious dance performance.

The Long Tides of Time: Nicole Quenelle on her 2016 Fringe show

THE LONG TIDES weaves clown, movement, audience participation and narrative in a poignant audit of how we spend our minutes.

MACBETH (Philly Shakes): Blood should have blood

This is a solidly accessible MACBETH, with comprehensible delivery and an easy-to-follow story—the kind of Shakespeare you go see with your high school class.