Michael Kiley

Two of several performers who spend some time on the floor during Michael Kiley's music-movement "experience" Close Music for Bodies. Photo by Adachi Pimentel.

CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review

Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness

tommy_me_reminiscing

Theater in Sketch: TOMMY AND ME (Theatre Exile)

Looking at the past, TOMMY AND ME carries us into the psychological interaction between dreams and reality.

Carla Belver, Kevin Meehan and Nancy Boykin in JOHN by Pulitzer Prize-winning playwright Annie Baker. Running at Arden Theatre Company through February 26. Photo by Mark Garvin.

JOHN (Arden): Things that haunt

There remains something compelling about ghost stories. Annie Baker’s JOHN demonstrates why: our past haunts just as well as any poltergeist.

Ian Merrill Peakes (L) & Maboud Ebrahimzadeh (R)
stinky-cheese-man-review-arden

THE STINKY CHEESE MAN (Arden): No cheese smells this good

It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.

Frank Rizzo, 1974.

RIZZO (Theatre Exile): A romp through the Rizzo years

Return with us now to those thrilling days of yesteryear when Frank Rizzo strode the city like he owned it.

Scott Greer and Amanda Schoonover  in Bruce Graham's RIZZO from Theatre Exile. 
Photo by Paola Nogueras.

RIZZO (Theatre Exile): A big hit on the “Big Bambino”

A world-premiere production on former Mayor Frank Rizzo portrays the good and the bad of the controversial Philadelphia icon.

1. PL&TC, BILOXI BLUES, JMLambert, photo MGarvin

BILOXI BLUES (People’s Light): Coming of age in WWII

Though entertaining as a comedy, BILOXI BLUES contains an important message about fighting “the good war” abroad, while many struggles against injustice remain on the home front.

Nichole Canuso Dance Company APS

Fringe Festival Takes Flight with Nichole Canuso Dance Company at the APS Museum

RETURN RETURN DEPARTURE considers the fleeting nature of time and the human compulsion to capture it, and there can be few more poignant examples than an ephemeral dance duet at sunset, videotaped for posterity by the performers themselves.