The lights show a bare stage; the set is two dilapidated buildings with scaffolding. The curtains intermittently change from day to night with a transient light. The place is Verona,…
In this, the first of a two-part interview, we talk to Eisenhower about her background and work on the production.
THE LION KING (dir. Jon Favreau): Beautiful and utterly pointless A film review of the CGI live action remake 
SUMMER SERIES 2019 (BalletX): BalletX brings The Little Prince to life This contemporary ballet of a classic children’s book is immediately understandable for children, but also poignant and thought-provoking fo... 
Presenting stronger new dramas by overcoming “premieritis” The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres” 
SIZWE BANZI IS DEAD (McCarter): Being a man in apartheid SIZWE BANZI IS DEAD is genuine work of theater and an authentic, authoritative look at a shameful period of South African history. 
Full Cirque: Alix Croop returns to her hometown with AMALUNA Allentown native, Alix Croop, couldn’t imagine how her talents would translate to what she had seen in Cirque du Soleil’s Alegria... Support Phindie operations
For the second year in a row, Theatre Exile led the pack with five Barrymore Awards for its production of The Invisible Hand more…
