I asked cast members of the Idiopathic Ridiculopathy Consortium (IRC), Philadelphia’s absurdist theatre (since 2006), founded by artistic director Tina Brock, what Ionesco’s RHINOCEROS brought up for them as actors and as people. The range of responses is as astounding as this production. A big thank you to everyone who participated in this Phindie interview.
Director Tina Brock brings spot-on casting, lightning-quick pacing, and non-stop hysteria (of both the panicked and hilarious varieties) to Idiopathic Ridiculopathy Consortium’s FringeArts production of Eugène Ionesco’s RHINOCEROS. The devastating consequences of mindless conformity, social apathy, and turning a blind eye to a growing threat are the important themes of the darkly comic Theater of the Absurd masterpiece.
Theater writer Jessica Foley is seeing 20 Fringe plays in 20 days. Why is she starting with Ionesco’s Rhinoceros?
Phindie will provide more Philly Fringe Festival coverage than any publication in the world! Coverage begins with 15 picks from star Phindie writer Deb Miller.
Though Franz Kafka’s work is not categorized as theater of the absurd per se, his writings have been cited as important predecessors of the genre. So it is fitting that…
If your favorite part of Willie Wonka and the Chocolate Factory was the creepy boat ride or if you even remember that scene with a tingle of cinematic delight right down in…