Michael Doherty

Touchtones

TOUCHTONES (Arden): This must be a bad connection

Naughty and nice collide in TOUCHTONES, a musical fantasy in world premiere at the Arden.

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TOUCHTONES (Arden): 60-second review

This treacly throwback neither titillates nor liberates.

3. Horizon, Fully Committed, MDoherty, Matthew J. Photog

FULLY COMMITTED (Horizon): A zany one-man tour-de-force

One actor plays dozens of roles in a hilarious parody of the mad scramble for reservations at a trendy restaurant in Manhattan.

Leigha Kato, who plays Rapunzel and Little Red Riding Hood in Theatre Horizon's INTO THE WOODS.

INTO THE WOODS (Theatre Horizon): Agony is ecstasy

Theatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.

Ian Merrill Peakes, Mary Martello, and Paul L. Nolan in Arden Theatre Company’s Incorruptible by Michael Hollinger. Photo by Mark Garvin

INCORRUPTIBLE (Arden): Laughter in the monastery

The set of Michael Hollinger’s witty INCORRUPTIBLE looks like it has been there for hundreds of years, transporting one back to the days of monks and minstrels. At the Abbey…

musicalofmusicals

THE MUSICAL OF MUSICALS (Montgomery Theater): A homage and a takeoff in song

Eric Rockwell and Joanne Bogart raise the stakes with their devilishly clever and cheekily smart send-up of prolific songsmiths Sondheim, Jerry Herman, Andrew Lloyd Webber, Richard Rodgers, Oscar Hammerstein II, John Kander, and Fred Ebb, THE MUSICAL OF MUSICALS.

photo by Alexander Iziliaev

ASSISTANCE (Wilma): 60-second review

Cutting close to the bone, Lesley Headland’s ASSISTANCE is a protest, as provocative as Sophie Treadwell’s Machinal (1928), exposing the Darwinian-exploitative nature of the 2013 job market. Irony sucker punched…