The clock is ticking down to tinsel time at Armadillo Acres in Starke, Florida, where the residents intend to blind the heavens with bargain store bling, lots of lights and…
The backstory of Rosalind Franklin’s seminal image that led to the discovery of the double-helix structure of the DNA molecule is examined in an engrossing Philadelphia premiere.
Commonwealth Classic Theatre presents a world-premiere production of Paul Parente’s meaningful tragicomedy on the absurdities and horrors of war, inspired by the events and characters from Homer’s Iliad.
The adaptation appropriates the ludicrous plot points and outlandish characters in Arthur Conan Doyle’s opus for a fast and fun theatrical comedy.
The iconic three-act, three-hour marathon of marital warfare eviscerates the myth of the American family, revealing the drama and devastation behind the façade of our societal expectations
Enda Walsh’s existential thought-play treads a well-worn path, but it does so with intelligence and poetry.
It’s more than the classic boy meets girl, boy likes girl, girl is cold to boy tale:. Rachel Bonds’s MICHAEL & EDIE is a whirlwind of realization, emotion, and introspection.
LONG LIVE THE LITTLE KNIFE (Inis Nua): A delightfully duplicitous foray into the art(s) of deception
What do art forgers and the theater have in common? Both try to convince you that something is real when it’s not, and both do it with the expectation of…
But you don’t have to be an egghead to enjoy this play. It’s a great show for non-physicists, a category that includes a whole lot of us.
If William Shakespeare was alive today he’d be a …. well, he’d probably be a poet and playwright, but he’d also make a damn good political speechwriter. The crux of his JULIUS CAESAR, now in an accessible production by Lantern Theater Company, comes in a speech following the title character’s assassination.
On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR
Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.