Megan Edelman

RED LODGE, MONTANA (The Antidote): 2019 Fringe review

A bizarro fusion of indolence, violence, nudity, sex, and dance

Fringe preview: An unapologetic love letter to David Lynch

Red Lodge, Montana is The Antidote’s Fringe love letter to Lynch

AND THEN THERE WERE NONE (Allens Lane): This production of Agatha Christie’s classic stays close to the original

The real horror of Christie’s original ending sits in discord with the show’s campy beginning.

MYSTERY IN THE HOUSE OF USHER: A POE TALE (Ebenezer Maxwell Mansion): A morbidly fun affair

The spirits of Edgar Allen Poe’s tales come alive in the historical Ebenezer Maxwell Mansion.

The Mechanical Theater Brings RICHARD III to Laurel Hill Cemetery

A dark and emotional 90-minute production of Shakespeare’s bloody history of war, murder, and blind ambition is performed outdoors by a cast of six on the grounds of a 19th-century cemetery.

Megan Edelman, Christina Higgins, Molly Edelman, and Allison Kessler in Victorian Theatre’s LITTLE WOMEN at the Ebenezer Maxwell Mansion (Photo credit: Rowland Hetrick).

LITTLE WOMEN (Ebenezer Maxwell Mansion): A sincere and sentimental view of female life in Victorian times

An intimate site-specific adaptation of Louisa May Alcott’s beloved Victorian novel captures the humor and pathos of the book and the look and feel of the era.

Jennifer Summerfield and Peter Zielinski as Nora and Torvald in the site-specific Victorian setting of Ebenezer Maxwell Mansion's A DOLL'S HOUSE. Photo by Kyle Cassidy.

A DOLL’S HOUSE (Ebenezer Maxwell Mansion): 60-second review

It’s hard to imagine a better set design for Henrik Ibsen’s devastating feminist classic than the living room of the Ebenezer Maxwell Mansion Victorian House Museum. Period furniture and details…