Republished by kind permission from Neals Paper. Vocally, Jenny Lee Stern channels Patsy Cline. The clean, heartfelt sounds register. Physically, I kept seeing Judy Garland and began hoping Stern, a known…
Krissy Fraelich’s riveting central performance blends with the perfection of Geoffrey Goldberg’s direction to make this production not only powerful and poignant.
SIDE SHOW is a tricky piece, but there was much to savor at Media Theatre’s production
Working with the First National Congress in 1776: Interview with director-choreographer Jennie Eisenhower, part 2
In this, the second of a two-part interview, we talk to Eisenhower about the history behind 1776: The Musical
In this, the first of a two-part interview, we talk to Eisenhower about her background and work on the production.
1776 will make you laugh, might even make you cry, and will most certainly be more enjoyable than the lectures of your middle school history teachers.
A rocking, irreverent look at the birth of our nation wrought with lively, believable characters.
Part two of our interview with JP Dunphy details his preparations as an actor for a wide range of demanding roles
Theater from the Inside Out: Interview with JP Dunphy, multitalented DOGFIGHT actor, singer, and dancer
The son of the Temple basketball coach talks about life as an actor.
In directing Christopher Sergel’s dramatic adaptation of TO KILL A MOCKINGBIRD, Jesse Cline is uncharacteristically too reverential about the material.
The wacky parents of THE ADDAMS FAMILY at the Media Theatre share the joys and difficulties of juggling two lead roles in their lives.
THE ADDAMS FAMILY is such a familiar piece, and beloved by many for various reasons
Few singers can do what Ann Crumb can do, namely to transform herself in such versatile ways that people follow her wherever she goes, whether she performs on Broadway or in Media. Crumb, a depowered female King Lear, dominated every scene of SUNSET BOULEVARD in her own dream castle.