She pleases, she teases, and she appeases.

A charming comedy buried under an avalanche of frenetic activity

Eleanor Burgess’s play addresses current debates with careful but sweeping intelligence.

Regina Taylor’s CROWNS is an entertaining and telling musical about traditions among African-American women

Although her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.

Kirill Gerstein bathed his Princeton audience in splendor Monday, February 27, when the pianist presented a recital featuring Bach, Brahms, Beethoven and Liszt at the McCarter Theatre.  Nothing about this…

Neal Zoren chose his favorite productions, directors, and actors from the last year.

Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.

A divinely thorough production of an honest, far reaching play.

It takes a while for playwright Sharyn Rothstein to show you where she’s going in ALL THE DAYS. Rothstein writes sitcoms, and the formula shows.

Baikida Carroll’s PIANO LESSON is August Wilson as it’s meant to be seen.

An entertaining spoof of Sir Arthur Conan Doyle’s Victorian classic injects humor and surprises into the well-known mystery.

Ken Ludwig taps literature’s most iconic detective with BASKERVILLE, a funny, inventive, entertaining take on Arthur Conan Doyle’s “The Hound of the Baskervilles.”

SIZWE BANZI IS DEAD is genuine work of theater and an authentic, authoritative look at a shameful period of South African history.