Matthew Decker

CABARET (Arden): Glücklich zu sehen?

CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.

JOHN (Arden): Things that haunt

There remains something compelling about ghost stories. Annie Baker’s JOHN demonstrates why: our past haunts just as well as any poltergeist.

A NEW BRAIN (Horizon): Getting a new lease on life

Theatre Horizon’s production of William Finn’s autobiographical musical comedy is filled with off-beat humor, powerhouse vocals, and a life-affirming message.

KRISSY FRAELICH (Arden Cabaret): 60-second review

Fraelich proves her mettle as a singer who can move as much as impress you.

THE STINKY CHEESE MAN (Arden): No cheese smells this good

It’s hard to know what to expect going into a children’s theater show, but this adult was quite honestly blown away.

LOBBY HERO (Theatre Horizon): A web of unintended consequences

Kenneth Lonergan’s new play explores the many levels of trust.

THE JUNGLE BOOK (Arden): Merging morals with make-believe

Based on British author Rudyard Kipling’s series of exotic children’s stories inspired by his childhood in India, THE JUNGLE BOOK is now an engaging family play, celebrating its world premiere at Arden Children’s Theatre.

Leigha Kato, who plays Rapunzel and Little Red Riding Hood in Theatre Horizon's INTO THE WOODS.

INTO THE WOODS (Theatre Horizon): Agony is ecstasy

Theatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.

Josh Carpenter (left) as Pip and Sally Mercer as Miss Havisham in the Arden Theatre Company’s GREAT EXPECTATIONS. Photo by Mark Garvin.

GREAT EXPECTATIONS (Arden): Exceeds all expectations

With a perfect combination of passion, pride, storytelling, and imagination, the Arden Theatre Company’s production of GREAT EXPECTATIONS is a thrilling night of theater.

CIRCLE MIRROR TRANSFORMATION (Theatre Horizon): All the world’s a stage, and all the men and women…

Life doesn’t imitate art as much as combine with it as Baker’s play, and Matthew Decker’s production of it for Theatre Horizon, sneaks up on you and moves you.