Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.
Whit MacLaughlin is going off the deep end with this one. Are you willing to jump in with him? New Paradise Laboratories’ handsomely crafted, meticulously acted, and totally weird production, is not easily accessible. Nothing much can be taken literally here, and the production doesn’t reward searching for specific meanings as it creates its own tilted world with its own skewed logic.
Rhrough minimal, absurd dialogue and highly stylized, disjointed movement, the ensemble-devised work evokes the boredom and bad behavior of a privileged vacationing family of film artists and their guests.
Sibling rivalry, conflicting personalities, and antithetical lifestyles regress to anti-social antics, primal rage, and role reversal in TRUE WEST, Sam Shepard’s dark comedy about two adult brothers, estranged for five…
A few years ago I was at that good used bookstore on 20th Street by the Free Library and saw a crowd gathering on the Parkway: Bruce Springsteen was about…