Kate Raines in THE BODY LAUTREC © Jacques-Jean Tiziou / www.jjtiziou.net”

Nudity or Crudity: a conversation with Mary Tuomanen about THE BODY LAUTREC

I asked Tuomanen, who directed the piece, to talk about The Body Lautrec. On extremely short notice, she agreed (“Aaron called me, said someone was upset about Lautrec and you wanted to ask me some questions.”) We talk about filth, exploitation, agency, and other uplifting stuff.

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Fringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David Morse

Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.

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Phindie's Official Fringe Bike Tour led by Julius Ferraro

PHINDIE’S OFFICIAL FRINGE BIKE TOUR: Experience Fringe in a way never before possible

Wanna experience the best of Fringe, but don’t know how? Overwhelmed by the offerings of the Guide? Fearful to take your first taste of Philly’s oldest and largest performance festival and somehow get it wrong? Or else just don’t want to do it alone?

Join Phindie for a one-day Fringe immersion, led by Julius Ferraro—Phindie.com theater editor, journalist, playwright, performer, and veteran fringehopper.

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THREE CHEKHOV SISTERS: From left, Sarah Sanford (as Olga), Mary Tuomanen (as Irina) and Katharine Powell (as Masha) as the 'Three Sisters' in the Arden Theatre Company production of Anton Chekhov's play. (Photo courtesy of Mark Garvin)

THREE SISTERS (Arden Theatre): Does the gimmick stick?

THREE SISTERS is the story not only of its title characters—the sisters Olga (Sarah Sanford), Masha (Katharine Powell) and Irina (Mary Tuomanen)—but also of the various characters who shuffle in and out of their country home over the course of a few years. It’s a soap opera on wheels as nearly everyone falls in love, gets caught up in adultery and waxes philosophical, all while sinking deeper and deeper into the exact sorts of lives they never wanted to lead.

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