A remarkable play navigating the deep waters of philosophy and the shallow waters of adults wearing animal costumes.
Cameron Kelsall has some ideas for the new executive director.
Shakespeare made simple, and simply fun.
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
Chris Davis’s imaginative one-man play gets a deservedly professional staging as part of Tiny Dynamite’s A Play, A Pie, and A Pint series
Kittson O’Neill plays a fighter pilot and expectant mother living in a desert suburb in the U.S. Southwest, controlling weapons which kill people in a distant foreign desert.
Who but Chris Davis would even think of a ONE-MAN APOCALYPSE NOW?
The ensemble’s naturalistic performances and fast-paced dialogue create a very funny play, and the extremely minimal production elements and do-it-yourself approach to theater makes the audience an intrinsic part of the show.
Adapting Truman Capote’s Breakfast at Tiffany’s but not pulling verbatim from the novella, three playwrights have created a special experience in a Point Breeze row home.
Breakfast at Tiffany’s with Chris, Bruce, and Doug: Interview with three playwrights restaging a Fringe favorite
We talk to Chris Davis, Bruce Walsh, and Doug Williams ahead of their relaunch of HOLLY’S DEAD SOLDIERS.
JUAN-WINFIELD ESCUTIA-SCOTT, OR THE MEXICAN-AMERICAN WAR, A BUTCHER PLAY (Chris Davis): 60-second review
With, “It was Mexico, but not your grandfather’s Mexico…” Chris Davis sets the tone for an enjoyably interactive, imaginative tour back in time to the Mexican-American War.
British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.
The Bearded Ladies latest show is planted full of good ideas, some of which germinate, some of which reach farther than they can comically travel, and some of which die on the vine.
Is it adaptations of familiar works, or is there another, more intimate kind of musical that can be done without gadgets and effects and superheroes flying across the stage?
All Mary Tuomanen wants to do is tell us a story about Jean Seberg, but things keep coming up.