In the end, the plays you produce are greater than the plays you don’t
Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic.
A friend “knows who you are and forgives you for it.”
Mary Tuomamen and Chris Davis push life size keys that signal to each other through space and time
What to see at the 2017 Philadelphia Fringe Festival
A remarkable play navigating the deep waters of philosophy and the shallow waters of adults wearing animal costumes.
Cameron Kelsall has some ideas for the new executive director.
Shakespeare made simple, and simply fun.
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
Chris Davis’s imaginative one-man play gets a deservedly professional staging as part of Tiny Dynamite’s A Play, A Pie, and A Pint series
Kittson O’Neill plays a fighter pilot and expectant mother living in a desert suburb in the U.S. Southwest, controlling weapons which kill people in a distant foreign desert.
Who but Chris Davis would even think of a ONE-MAN APOCALYPSE NOW?
The ensemble’s naturalistic performances and fast-paced dialogue create a very funny play, and the extremely minimal production elements and do-it-yourself approach to theater makes the audience an intrinsic part of the show.
Adapting Truman Capote’s Breakfast at Tiffany’s but not pulling verbatim from the novella, three playwrights have created a special experience in a Point Breeze row home.
Breakfast at Tiffany’s with Chris, Bruce, and Doug: Interview with three playwrights restaging a Fringe favorite
We talk to Chris Davis, Bruce Walsh, and Doug Williams ahead of their relaunch of HOLLY’S DEAD SOLDIERS.
JUAN-WINFIELD ESCUTIA-SCOTT, OR THE MEXICAN-AMERICAN WAR, A BUTCHER PLAY (Chris Davis): 60-second review
With, “It was Mexico, but not your grandfather’s Mexico…” Chris Davis sets the tone for an enjoyably interactive, imaginative tour back in time to the Mexican-American War.