Is there more still left in the playwright’s head that didn’t make it to the stage?
Mary Lee Bednarek
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
Clare Boothe Luce saw her 1936 play as a critique of certain malicious denizens of Park Avenue. Director Lane Savadove sees more in it.
EgoPo Classic Theater continues its foray into classics of American drama with a focus on female playwrights.
Jo Strømgren Kompani boldly promise to deliver the essence of the celebrated play despite making ambitious changes to it.
This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character.
Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival
This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.
DEATH OF A SALESMAN is often seen as a cultural comment on the American Dream, in EgoPo’s production it is a moving look at a man, his son, and their personal tragedies.
Each night, a new actor opens a manila envelope and reads the script for the first time. The spontaneity of the performance allows the author to engage with the audience from miles away and years ago.
Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.
If William Shakespeare was alive today he’d be a …. well, he’d probably be a poet and playwright, but he’d also make a damn good political speechwriter. The crux of his JULIUS CAESAR, now in an accessible production by Lantern Theater Company, comes in a speech following the title character’s assassination.