Mary Elizabeth Scallen

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CABARET (Arden): Glücklich zu sehen?

CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.

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MOON OVER BUFFALO (People’s Light): A few doors short of a farce

Why did People’s Light exhume this largely forgotten play from its well-deserved obscurity?

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BRIGHTON BEACH MEMOIRS (Act II Playhouse): The same old schtick

A play for people who need to be told how to feel.

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RICHARD III (People’s Light): Smile heaven upon this fair conjunction

A dichotomy of delight and disgust makes this production such a treat—a feast with many courses, each richly flavored and deeply textured.

Teri Lamm and Mary Elizabeth Scallen in AUCTIONING THE AINSLEYS at People’s Light (Photo credit: Mark Garvin)

AUCTIONING THE AINSLEYS (People’s Light): Familial dysfunction, memory, and the significance of objects

Laura Schellhardt’s foray into the Pop psychology of familial dysfunction and the significance of personal possessions is given its regional premiere.

Mary McDonnell and Olivia Mell in THE CHERRY ORCHARD at People’s Light (Photo credit: Mark Garvin)

THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of Chekhov

Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at People’s Light & Theatre Company…

(clockwise from left) Julianna Zinkel, Clare Mahoney, Jessica Bedford, and Becky Baumwoll in PRIDE & PREJUDICE at People’s Light & Theatre Company (Photo credit: Mark Garvin)

PRIDE & PREJUDICE (People’s Light & Theatre Company): Structure and Snobbery in Regency England

PRIDE & PREJUDICE, Jane Austen’s classic tale of class, courtship, and decorum in 19th-century England, celebrated its 200th anniversary in 2013. People’s Light & Theatre Company continues the celebration with…