CABARET (Arden): Glücklich zu sehen?
CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.
Mary Elizabeth Scallen
MOON OVER BUFFALO (People’s Light): A few doors short of a farce
Why did People’s Light exhume this largely forgotten play from its well-deserved obscurity?
BRIGHTON BEACH MEMOIRS (Act II Playhouse): The same old schtick
A play for people who need to be told how to feel.
RICHARD III (People’s Light): Smile heaven upon this fair conjunction
A dichotomy of delight and disgust makes this production such a treat—a feast with many courses, each richly flavored and deeply textured.
AUCTIONING THE AINSLEYS (People’s Light): Familial dysfunction, memory, and the significance of objects
Laura Schellhardt’s foray into the Pop psychology of familial dysfunction and the significance of personal possessions is given its regional premiere.
THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of Chekhov
Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at People’s Light & Theatre Company…
PRIDE & PREJUDICE (People’s Light & Theatre Company): Structure and Snobbery in Regency England
PRIDE & PREJUDICE, Jane Austen’s classic tale of class, courtship, and decorum in 19th-century England, celebrated its 200th anniversary in 2013. People’s Light & Theatre Company continues the celebration with…
