Pennsylvania Ballet’s fifth program of the current season is a historically intriguing.
Part 2 of Lew Whittington’s look at the COME TOGETHER FESTIVAL
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TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
PHAEDRA’S LOVE (Svaha Theatre Collective): 2018 Fringe review Two decades after her suicide, Kane remains one of the most truthful voices in theater. Svaha's production captures her brilliance. 
LONG TROUBLE (Svaha Theatre Collective): 2018 Fringe review There’s a lovely simplicity in Elise D’Avella’s staging of the tragic story. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
An Aerialist Brazilian: Danila Bim discusses her work with Cirque du Soleil’s VOLTA Danila Bim’s job is literally hair-raising! 
This DOLL’s HOUSE is human and multifaceted, lighthearted and ironic, narrative with a dancer’s expression of character. more…
