nspired by by the resetting of their 2015 production of La Traviata, director Paul Curran and set/costume designer Gary McCann team up again to bring CARMEN to a nearer past, set in a beautiful Havana-esque 1950’s.
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An ALL-Black OTHELLO: Director Ozzie Jones talks about his “gloriously liberating” casting for Theatre in the X, part 2 In part two of our interview with Ozzie Jones, the director talks about his decision to cast an ALL-black OTHELLO. 
Dance in Sketch: AT HOME WITH THE HUMORLESS BASTARD "Is this a dance performance or a social experiment?" 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. 
A LIFE IN THE THEATRE (Walnut): 60-second review David Mamet's amusing A LIFE IN THE THEATRE uses the simple interplay of two actors backstage at a repertory company, to talk about life out... 
Talking Sex, Substance, and SUSPENDED with Brian Sanders Perennial Fringe favorite Brian Sanders and his dare-devil dance company JUNK have created a provocative new offering for this year’s Fe... 
Vaudeville has returned in all its glory with 1812’s THE BIG TIME: NEW VAUDEVILLE FOR THE HOLIDAYS. Pratfalls, double entendres, and caricatures of people past and present light up the stage in a series of different vignettes, connected by their vaudevillian style! more…
