nspired by by the resetting of their 2015 production of La Traviata, director Paul Curran and set/costume designer Gary McCann team up again to bring CARMEN to a nearer past, set in a beautiful Havana-esque 1950’s.
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Phindie can vouch for Asya Zlatina’s STORM because we were lucky enough to sit in on a rehearsal for the emotion-capturing piece. more…
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