nspired by by the resetting of their 2015 production of La Traviata, director Paul Curran and set/costume designer Gary McCann team up again to bring CARMEN to a nearer past, set in a beautiful Havana-esque 1950’s.
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In a tightly focused and intense performance, Vecino executed a collection of gestures, poses, and movements mixed up “live, like a DJ”. more…
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