Lindsay Smiling

Josh Carpenter (left) as Pip and Sally Mercer as Miss Havisham in the Arden Theatre Company’s GREAT EXPECTATIONS. Photo by Mark Garvin.

GREAT EXPECTATIONS (Arden): Exceeds all expectations

With a perfect combination of passion, pride, storytelling, and imagination, the Arden Theatre Company’s production of GREAT EXPECTATIONS is a thrilling night of theater.

A NUMBER (Tiny Dynamite): A father and his son(s)

Churchill raises questions about individuality in society, the ethics of cloning, and nature vs nurture, but this is no didactic political piece.

Keith J. Conallan in DON JUAN COMES HOME FROM IRAQ, Wilma Theatre, photo by Alexander Iziliaev

DON JUAN COMES HOME FROM IRAQ (Wilma): A Disparate Jigsaw

Call it Don Juan or Don Giovanni, the Don Juan story, handed down through time, is pre-loaded with a mix of serious and comic elements and a supernatural dimension. DON JUAN COMES HOME FROM IRAQ, from theater luminaries Paula Vogel (playwright) and Banka Zizka (director), has the gravitas down and doesn’t lose sight of humor, but extra pieces lodge within this puzzle’s slippery treatment of time and reality.

NORTH OF THE BOULEVARD (Theatre Exile): If the Boss wrote plays he’d write this one

A few years ago I was at that good used bookstore on 20th Street by the Free Library and saw a crowd gathering on the Parkway: Bruce Springsteen was about…