Lee Minora

last match

THE LAST MATCH (Lantern): Set points

Playwright Anna Ziegler drops us deep into an intricate game of high-stakes tennis

Theater in Sketch: THREE SISTERS TWO (EgoPo)

Chuck Schultz gives his thoughts in words and sketch

WHITE FEMINIST (Lee Minora): 2018 Fringe review

A no-holds-barred look at the ways in which white feminists, with the best of intentions, don’t always walk even their own talk.

Theater in Sketch: ANNA (EgoPo)

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.

IT’S SO LEARNING (Berserker Residents): Will this be on the test?

The Berserker Residents take us back to school

IT’S SO LEARNING is Even Berserker!

Republished by kind permission from FringeArts. Bradley Wrenn, co-founder of The Berserker Residents, talks about how the company is revamping their 2015 Fringe hit It’s So Learning to reflect our new, terrifying…

I FUCKING DARE YOU (Berserker Residents): 2016 Fringe review 31

The two pieces foment a rowdy audience that’s comfortable interacting and even going up on stage to help the chosen one achieve her mission

This Info Will Fucking Dare You: Mary McCool, Brad Wrenn, and Lee Minora bouffon it up at Plays & Players this Fringe

If you dig imaginative and funny collaborative solo shows, Plays & Players theater is the place to go this Fringe Festival.

Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival

Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.

MACHINAL (EgoPo): Welcome to the machine

A dank, metallic, appropriately oppressive feel imbues this production of Sophie Treadwell’s 90-year-old play.

THE WOMEN (EgoPo): An engaging show turns a trifle into a treatise

Clare Boothe Luce saw her 1936 play as a critique of certain malicious denizens of Park Avenue. Director Lane Savadove sees more in it.

LA RONDE (Brenna Geffers): Moving around and switching around Schnitzler

A new site-specific re-envisioning of Schnitzler’s 19th-century play brings post-modern import to his now-historic examination of socio-sexual mores.

IT’S SO LEARNING (Berserker Residents): 2015 Fringe Review 51

Go back to school with The Berserker Residents in this highly interactive ensemble-devised piece, in which you are the student and your teachers are berserk!

Promotional image for Sam Tower + Ensemble’s 901 NOWHERE STREET, with Emilie Krause (Photo credit: Lauren Tuvell)

Deb Miller’s 15 Top Picks for the 2015 Fringe Festival

Top Philly theater writer Deb Miller previews the best of the 2015 Philadelphia Fringe Festival.

THE HAIRY APE (EgoPo): The cage of modern life

The challenge for EgoPo director Brenna Geffers was to make a play which must have been theatrically and politically radical a century ago relevant to a 21st-century audience.

Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group)

Henrik Eger talks to director Rebecca Wright about her work and influences.

Kristen Bailey (as Gregor). Photo by Shawn May

THE METAMORPHOSIS (Quintessence): Leave the bug spray at home

A sensational production of Franz Kafka’s story, utilizing sound, movement, color, and light to transport the audience into the eerie world of salesman-turned-cockroach Gregor Samsa .

THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY (The Renegade Company): 2014 Fringe Review 35

THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word

Photo credit: Meghann Hickson

Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer

The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.

GINT (EgoPo): Ibsen as American folklorist

Romulus Linney’s GINT, now in an engaging staging by EgoPo Productions, does an admirable job of translating this modernist classic for contemporary audiences. Linney reworks the story so it seems to have been lifted straight from the annals of American folklore.