ON EDGE (PA Ballet): Cutting-edge ballet by three striking choreographers
What is normal or abnormal? What is black or white? What is right or wrong? Or are those ideas all meaningless in this chaotic world?
Laurie Anderson
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TOSCA (Philadelphia Orchestra): Music as a cultural mission Yannick Nevet-Seguin conducted the Philadelphia Orchestra in a semi-staged performance of Puccini's TOSCA 
All Things Must Pass: Orbiter 3 members consider their finale In the end, the plays you produce are greater than the plays you don't 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
The Philadelphia Orchestra pulls in an audience with a surprisingly good Philadelphia Voices Philadelphia Voices is about a lot more than cheesesteaks! 
GREAT RUSSIAN NUTCRACKER (Moscow Ballet): Dance review The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises.
From the archives…
[13.2] TRAVELING LIGHT (Liam’s Sofa Cushion Fortress): Fringe review
This play travels anything but light, but for aficionados—as I am—of talented and doomed Joe Orton or for those fascinated by Brian Epstein (the man who made the Beatles), the proposition of their encounter in the summer of ’67 will pique interest. A policewoman, W.P. more…
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Theater in Sketch: M. Ibrahim and the Flowers of the Koran (Alliance Française): )
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All Things Must Pass: Orbiter 3 members consider their finale
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Abracadabra: Jonathan Weir appears in ALADDIN
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Performance in Sketch: SÉANCERS (Jaamil Olawale Kosoko / FringeArts)
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I HATE HAMLET: (Allens Lane): Theater on theater
