Larry Fowler

Daniel Barland in BROKEN STONES at InterAct Theatre. Photo by Kathryn Raines

BROKEN STONES (InterAct): Searching through the meta rubble

What better theatrical vehicle for cynicism than “meta”: how many ways can the playwright fool an audience?

FB Dolly

FORBIDDEN BROADWAY’S GREATEST HITS (Act II): 60-second review

Act II set a new standard for closing out an excellent season. FORBIDDEN BROADWAY’S GREATEST HITS by Gerard Allessandrini is hands down hilarious. Tony Braithwaite, Elena Camp, Jeffrey Coon, and…

3. Theatre Horizon, IN THE BLOOD, Ashley Everage & Forrest McClendon

IN THE BLOOD (Theatre Horizon): Social satire in the service of compassion

Suzan-Lori Parks’ post-modern re-envisioning of Nathaniel Hawthorne’s The Scarlet Letter addresses the theme of destiny, the tragedy of poverty, and the societal need for compassion in a provocative in-your-face production

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THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE (Azuka): Connecting with audience

A thoroughly entertaining, beautifully staged exploration of trust, love, relationships, entanglement, dependency and technology and intimacy.

White Pines Productions The Music You Remember review

THE MUSIC YOU REMEMBER (White Pines): An Introspective Journey through Love, Loss, and ‘60s Nostalgia

When burned-out middle-aged Professor Paul Diollio (Jerry Perna) learns via cell phone messages that he has been denied tenure, his car has been repossessed, and his girlfriend can’t take anymore…