“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black man up front at a…
Young Jean Lee’s brave societal exploration brings out the issues of privilege among, you guessed it—straight white men.
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COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
TRUE WEST (Subscension): 2018 Fringe review This little company has heft and promise. The Fringe has given them the opportunity to launch and they’ve certainly taken advantage of it. 
BON IVER FIGHTS A BEAR (mauraampersanddoug): 2018 Fringe review Justin is a heartbroken young musician who escapes to his father’s cabin in the middle of nowhere 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
I An artful blend of theater and history thrives among the tombstones at Old Swedes Church 
What’s on stage in Philadelphia this month? more…
