The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
A Woman’s World: A conversation with Brenna Geffers, Lane Savadove, and Adrienne Mackey on bringing a new focus on women to Philadelphia theater
For the theme of its 2015–16 season, EgoPo Classic Theater has announced it will honor American female playwrights: Lillian Hellman, Clare Boothe Luce, and Sophie Treadwell.
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
Romulus Linney’s GINT, now in an engaging staging by EgoPo Productions, does an admirable job of translating this modernist classic for contemporary audiences. Linney reworks the story so it seems to have been lifted straight from the annals of American folklore.
EgoPo’s show closes at Plays & Players in Philadelphia tonight. I finally got to see it at the end of the run. The finale of their American Vaudeville Festival, UNCLE…
Rooted like wooden figurines in a nineteenth-century music box, the cast of EgoPo Classic Theater’s adaptation of Harriet Beecher Stowe’s UNCLE TOM’s CABIN stand in front of a gigantic American…